After Deadline is back with another grab bag of items on grammar, usage, and style. (I always learn/relearn something from After Deadline, although it hasn't managed to sway me on the serial comma yet, as you can see.)
The latest issue of The Atlantic contains an article about one of my guilty pleasures: soap operas. Which reminds me of a review (of a soap-focused book) that I wrote several years ago that you might enjoy.
Congrats to Chloe' Yelena Miller, whose poem, "Estate Sale," is the current Narrative poem of the week!
Anne Fernald tries to figure out what's wrong with that book?
I'll be on vacation next week (more about that in a day or two--you have no idea how much I need a vacation!), so I'll share this job lead with you now instead of waiting for the usual Monday post: Princeton University (N.J.) is seeking Lecturers. "The Creative Writing Program at the Lewis Center for the Arts, Princeton University is seeking distinguished writers for openings in fiction, poetry, and translation. These positions are one or two semester appointments. The positions begin September 2011 and/or February 2012."
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts
Wednesday, August 18, 2010
Tuesday, August 17, 2010
Quotation of the Week: Billy Collins
You don’t read to discover the poet, you read to discover yourself.Source: AdvicetoWriters
--Billy Collins
Monday, August 16, 2010
Monday Morning Markets/Jobs/Opportunities
Gotham Writers' Workshop is running a "Hint Fiction Contest": "For this contest, Gotham welcomes the expertise of Robert Swartwood, editor of Hint Fiction: An Anthology of Stories of 25 Words or Fewer (to be published in November by W.W. Norton). Mr. Swartwood will select the winner from the finalists in this competition." There's no entry fee, and your submission should run no longer than 25 words. Prizes: a 10-week writing workshop, $100, a one-year subscription to The Writer, publication on Gotham's 2011 course catalog, and, of course, "bragging rights." Deadline: October 11, 2010.
From the Matador Network ("both an online travel magazine and a thriving social network. Or, more simply put, it’s a community"): a Transparent Narrative Writing Contest. "Over the last few weeks we’ve been seeing some really interesting new travel narratives, and we decided to to run a contest. The winner gets $300 plus free enrollment to the travel writing program at MatadorU [worth $350]. The winning story, along with honorable mentions will be published here at the Traveler’s Notebook. Even if you’re a professional writer who doesn’t necessarily need classes, consider this about the U: you get lifetime access to our forums and Market Blog, with leads and writing opportunities researched and curated by Matador editors, along with all future Pro Modules we publish on new media strategies, branding, SEO, and other areas of continuing education." Note that "part of the focus of this contest is to encourage “transparent” writing. This is a prose style where the narrator narrates events / scenes as he or she perceived them at ground-level." For examples and additional information, visit the site. There's no entry fee, and you have until 5 p.m. (EST) on September 10, 2010, to submit.
Crab Orchard Review has announced its next special issue theme: "Crab Orchard Review is seeking work for our Summer/Fall 2011 issue focusing on writing exploring the people, places, history, and new directions that have shaped and are reshaping the American South. All submissions should be original, unpublished poetry, fiction, or literary nonfiction in English or unpublished translations in English (we do run bilingual, facing-page translations whenever possible). Please query before submitting any interview. The submission period for this issue is August 10 through November 1, 2010. We will be reading submissions throughout this period and hope to complete the editorial work on the issue by the end of March 2011. Writers whose work is selected will receive $25 (US) per magazine page ($50 minimum for poetry; $100 minimum for prose) and two copies of the issue."
Franklin & Marshall College (Penn.) is looking for an Assistant Director for its Philadelphia Alumni Writers House: "Full-time, year-round position responsible for providing all programmatic, curricular, and some administrative coordination for all aspects of this literary performance space and writing collective at Franklin & Marshall College. The Assistant Director works in collaboration with the Director of the Writers House to identify, produce, and support all Writers House programs, co-sponsorships, and curricular, public relations, administrative, and advancement initiatives."
"Penn State Shenango invites applications for a faculty position in English, Assistant Professor, (tenure-track, 36 weeks) to begin August 2011, or as negotiated. Responsibilities: Teach three courses (9 credits) each semester using traditional and hybrid delivery modes. Teaching assignments will be based on the successful candidate's areas of expertise, but will include some combination of English composition, literature, creative writing, or poetry, and may require teaching day, evening and/or Saturday classes as needed. Publish in refereed journals. Participate in course, curriculum, and program development. Advise students and provide career guidance. Participate in campus, university, and community service activities and in professional organizations."
Goucher College (Md.) seeks an Assistant Editor, Northeastern University (Mass.) is looking for a Senior Writer/Communications Coordinator, and California State University-Stanislaus seeks a Public Affairs/Communications Specialist (Writer).
From the Matador Network ("both an online travel magazine and a thriving social network. Or, more simply put, it’s a community"): a Transparent Narrative Writing Contest. "Over the last few weeks we’ve been seeing some really interesting new travel narratives, and we decided to to run a contest. The winner gets $300 plus free enrollment to the travel writing program at MatadorU [worth $350]. The winning story, along with honorable mentions will be published here at the Traveler’s Notebook. Even if you’re a professional writer who doesn’t necessarily need classes, consider this about the U: you get lifetime access to our forums and Market Blog, with leads and writing opportunities researched and curated by Matador editors, along with all future Pro Modules we publish on new media strategies, branding, SEO, and other areas of continuing education." Note that "part of the focus of this contest is to encourage “transparent” writing. This is a prose style where the narrator narrates events / scenes as he or she perceived them at ground-level." For examples and additional information, visit the site. There's no entry fee, and you have until 5 p.m. (EST) on September 10, 2010, to submit.
Crab Orchard Review has announced its next special issue theme: "Crab Orchard Review is seeking work for our Summer/Fall 2011 issue focusing on writing exploring the people, places, history, and new directions that have shaped and are reshaping the American South. All submissions should be original, unpublished poetry, fiction, or literary nonfiction in English or unpublished translations in English (we do run bilingual, facing-page translations whenever possible). Please query before submitting any interview. The submission period for this issue is August 10 through November 1, 2010. We will be reading submissions throughout this period and hope to complete the editorial work on the issue by the end of March 2011. Writers whose work is selected will receive $25 (US) per magazine page ($50 minimum for poetry; $100 minimum for prose) and two copies of the issue."
Franklin & Marshall College (Penn.) is looking for an Assistant Director for its Philadelphia Alumni Writers House: "Full-time, year-round position responsible for providing all programmatic, curricular, and some administrative coordination for all aspects of this literary performance space and writing collective at Franklin & Marshall College. The Assistant Director works in collaboration with the Director of the Writers House to identify, produce, and support all Writers House programs, co-sponsorships, and curricular, public relations, administrative, and advancement initiatives."
"Penn State Shenango invites applications for a faculty position in English, Assistant Professor, (tenure-track, 36 weeks) to begin August 2011, or as negotiated. Responsibilities: Teach three courses (9 credits) each semester using traditional and hybrid delivery modes. Teaching assignments will be based on the successful candidate's areas of expertise, but will include some combination of English composition, literature, creative writing, or poetry, and may require teaching day, evening and/or Saturday classes as needed. Publish in refereed journals. Participate in course, curriculum, and program development. Advise students and provide career guidance. Participate in campus, university, and community service activities and in professional organizations."
Goucher College (Md.) seeks an Assistant Editor, Northeastern University (Mass.) is looking for a Senior Writer/Communications Coordinator, and California State University-Stanislaus seeks a Public Affairs/Communications Specialist (Writer).
Monday, August 09, 2010
Monday Morning Markets/Jobs/Opportunities
Montreal-based Matrix is looking for "Zen-inspired poems in forms that are related or have been shaped by it such as haiku, tanka, haibun, and the collaborative renku." (One of the issue editors confirmed via e-mail that contributors will be paid.) Deadline: October 31, 2010.
"Call for Submissions! AWP [JobList] is looking for articles on professional advancement for writers & teachers, as well as articles about academia & job opportunities for MFA graduates. Approx. 2,000-3,000 wds. Payment rates are the same as those of the Writer’s Chronicle. For questions, or to submit an article, please e-mail joblist(at)awpwriter(dot)org."
Another announcement from Robert Lee Brewer: "I'm putting out the official call for submissions on the 2012 Poet's Market. I'm interested in many different poetic topics, but especially those that will help poets find success in publishing and marketing their poetry. Take a look at the most recent editions of Poet's Market to find a topic that hasn't been covered or that could be covered in a new way. Since I conduct interviews on the Poetic Asides blog, I'm not as interested in those, but if you have access to a super big name or a great slant, I'm always willing to consider your pitch." Pitch deadline is September 7, 2010.
Kansas poets and fiction writers, it's your turn to apply for the Maureen Egen Writers Exchange Awards from Poets & Writers. The winning writers will be brought to New York City for an all-expenses-paid visit in October 2011, during which they'll meet with editors/agents/publishers (they'll also each receive a $500 honorarium and an optional one-month residency at Jentel [Wyo.]). There is no application fee. Deadline: December 1, 2010.
Lifting Voices (D.C.) seeks a writing workshop leader to "teach small groups in under-served neighborhoods that the written word is fun and meaningful. Typical workshop activities include writing letters, reading and performing raps, and making movies. The students are generally in the third to sixth grade range, although some students are younger or older." This is a part-time job, and pays $1,440/month from September 1 to June 30. Apply by August 15, 2010.
Stanford University (Calif.) seeks a Senior Development Writer, Stonehill College (Mass.) is looking for a Senior Copywriter, and Saint Xavier University (Ill.) seeks a University Relations Senior Editor.
"Call for Submissions! AWP [JobList] is looking for articles on professional advancement for writers & teachers, as well as articles about academia & job opportunities for MFA graduates. Approx. 2,000-3,000 wds. Payment rates are the same as those of the Writer’s Chronicle. For questions, or to submit an article, please e-mail joblist(at)awpwriter(dot)org."
Another announcement from Robert Lee Brewer: "I'm putting out the official call for submissions on the 2012 Poet's Market. I'm interested in many different poetic topics, but especially those that will help poets find success in publishing and marketing their poetry. Take a look at the most recent editions of Poet's Market to find a topic that hasn't been covered or that could be covered in a new way. Since I conduct interviews on the Poetic Asides blog, I'm not as interested in those, but if you have access to a super big name or a great slant, I'm always willing to consider your pitch." Pitch deadline is September 7, 2010.
Kansas poets and fiction writers, it's your turn to apply for the Maureen Egen Writers Exchange Awards from Poets & Writers. The winning writers will be brought to New York City for an all-expenses-paid visit in October 2011, during which they'll meet with editors/agents/publishers (they'll also each receive a $500 honorarium and an optional one-month residency at Jentel [Wyo.]). There is no application fee. Deadline: December 1, 2010.
Lifting Voices (D.C.) seeks a writing workshop leader to "teach small groups in under-served neighborhoods that the written word is fun and meaningful. Typical workshop activities include writing letters, reading and performing raps, and making movies. The students are generally in the third to sixth grade range, although some students are younger or older." This is a part-time job, and pays $1,440/month from September 1 to June 30. Apply by August 15, 2010.
Stanford University (Calif.) seeks a Senior Development Writer, Stonehill College (Mass.) is looking for a Senior Copywriter, and Saint Xavier University (Ill.) seeks a University Relations Senior Editor.
Friday, July 30, 2010
Friday Find: Five Sources for Daily Poetry
Earlier this week, I alluded to the fact that I subscribe to several e-services that send me a poem every day. I'm sure that many of you subscribe as well, but I thought I'd provide five representative services for those who have yet to try them.
- Poem-A-Day
- Poetry Daily
- Verse Daily
- The Writer's Almanac
- Your Daily Poem (a recent discovery, via Diane Lockward)
Wednesday, July 28, 2010
The Wednesday Web Browser
I subscribe to several "poem-a-day" services, and a few days ago I received a poem from one of them (Poem-A-Day) that I found simply extraordinary: Charles Harper Webb's "Prayer for the Man Who Mugged My Father, 72."
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Over on Twitter, Janice Harayda is using a #bkrev hashtag to discuss book reviewing. Yesterday's focus: negative reviews.
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Here's a fun list: the 25 Greatest Fictional Lawyers (Who Are Not Atticus Finch). (via AboveTheLaw.com)
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The wonderful Sage Cohen has a new article out on "Top 10 Productivity Pitfalls for Writers to Avoid." (I've already pre-ordered Sage's forthcoming book, The Productive Writer.)
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Over on Twitter, Janice Harayda is using a #bkrev hashtag to discuss book reviewing. Yesterday's focus: negative reviews.
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Here's a fun list: the 25 Greatest Fictional Lawyers (Who Are Not Atticus Finch). (via AboveTheLaw.com)
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The wonderful Sage Cohen has a new article out on "Top 10 Productivity Pitfalls for Writers to Avoid." (I've already pre-ordered Sage's forthcoming book, The Productive Writer.)
Wednesday, July 21, 2010
The Wednesday Web Browser
Back when I was helping newbie book reviewers build up a reviewing practice, we'd spend a chunk of time discussing how to obtain review copies. A recent "tweet" from Algonquin Books makes the process simple: "Book bloggers: If you ever want to request an Algonquin review copy, email me: michael(at)algonquin(dot)com. Easy peasy." Meantime, Harper Perennial is inviting book bloggers to join its email list for reviewers.
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This week on the Dollars and Deadlines blog: veteran freelancer Kelly James-Enger critiques queries. Really interesting and useful.
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It hasn't been a terribly uplifting time in the litmag world lately: Mississippi Review's future is unclear. Brevity considers charging a submission fee. And The Paris Review has begun "unaccepting" some poems.
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My friend Deonne Kahler (a.k.a. "DK") just spent a week at the Taos Summer Writers Conference (an event I've also been lucky enough to attend). DK got to work with Sarah Manguso in a memoir master class. And she was generous enough to tell the rest of us about it here and here.
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I love this guest post by Diane Lockward (on Meg Waite Clayton's 1st Books blog) about her (Diane's) evolution toward published-poethood.
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This week on the Dollars and Deadlines blog: veteran freelancer Kelly James-Enger critiques queries. Really interesting and useful.
==========
It hasn't been a terribly uplifting time in the litmag world lately: Mississippi Review's future is unclear. Brevity considers charging a submission fee. And The Paris Review has begun "unaccepting" some poems.
==========
My friend Deonne Kahler (a.k.a. "DK") just spent a week at the Taos Summer Writers Conference (an event I've also been lucky enough to attend). DK got to work with Sarah Manguso in a memoir master class. And she was generous enough to tell the rest of us about it here and here.
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I love this guest post by Diane Lockward (on Meg Waite Clayton's 1st Books blog) about her (Diane's) evolution toward published-poethood.
Monday, July 19, 2010
Monday Morning Markets/Jobs/Opportunities
From Vagabondage Press: "We are currently open to submissions of novella length fiction for stand-alone publication in digital form, with possible consideration for print publication. Vagabondage Press accepts queries all year round for novella and novel length work and only accepts queries by email. We are currently seeking well-written literary fiction of 15,000 to 50,000 words that explores the human experience. We hope to provide a safe space for authors who've gone underappreciated because the industry has led them to believe that they don't fit a particular format. We hold no editorial bias in regards to stories for or about individuals of any race, creed, gender, sexual orientation, or planet of origin." Pays: royalties.
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From Creative Nonfiction: "Creative Nonfiction is looking for new work by MFA students for publication in an upcoming issue. The winner and four finalists will be invited to read during the 2011 AWP Conference in Washington, DC (February 2-5, 2011)." CNF "typically" pays $10/printed page. Deadline: November 5, 2010.
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Guidelines for the annual Helen Schaible International Shakespearean/Petrarchan Sonnet Contest are now available. Prizes: $50/$35/$15. No entry fee. Deadline: September 1, 2010.
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Attention, freelancers: WritersWeekly.com ran an article on paying education markets last week. (Kind of reminded me of another article on the same topic that ran once upon a time.)
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From mediabistro.com (click here to access complete announcement):"mb LEARN is looking for a dynamic, spirited instructor to teach our Intro to Social Media class in New York starting in September. This class meets for 4 weeks and will teach students how to use social media tools to expand and improve their professional life. Topics include social media and web 2.0, blogs, wikis, podcasts, RSS feeds, viral video, social bookmarking, social media news releases, and other emerging web technologies. By the end of class, students will have an established presence on one or more social networks, expanded exposure on existing networks, and a solid understanding of how to best use social media."
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Gettysburg College (Pa.) seeks an Assistant Director of Communications, Wesleyan University (Conn.) is looking for an Editor/New Media Writer, and Stanford University's Graduate School of Business (Calif.) is looking for a Philanthropy Case Writer (one-year appointment).
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From Creative Nonfiction: "Creative Nonfiction is looking for new work by MFA students for publication in an upcoming issue. The winner and four finalists will be invited to read during the 2011 AWP Conference in Washington, DC (February 2-5, 2011)." CNF "typically" pays $10/printed page. Deadline: November 5, 2010.
==========
Guidelines for the annual Helen Schaible International Shakespearean/Petrarchan Sonnet Contest are now available. Prizes: $50/$35/$15. No entry fee. Deadline: September 1, 2010.
==========
Attention, freelancers: WritersWeekly.com ran an article on paying education markets last week. (Kind of reminded me of another article on the same topic that ran once upon a time.)
==========
From mediabistro.com (click here to access complete announcement):"mb LEARN is looking for a dynamic, spirited instructor to teach our Intro to Social Media class in New York starting in September. This class meets for 4 weeks and will teach students how to use social media tools to expand and improve their professional life. Topics include social media and web 2.0, blogs, wikis, podcasts, RSS feeds, viral video, social bookmarking, social media news releases, and other emerging web technologies. By the end of class, students will have an established presence on one or more social networks, expanded exposure on existing networks, and a solid understanding of how to best use social media."
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Gettysburg College (Pa.) seeks an Assistant Director of Communications, Wesleyan University (Conn.) is looking for an Editor/New Media Writer, and Stanford University's Graduate School of Business (Calif.) is looking for a Philanthropy Case Writer (one-year appointment).
Friday, July 16, 2010
Friday Find: Diane Lockward's Thoughts On Poetry Book Contests
Diane Lockward has been on both sides of the poetry book contest fence. She has entered many, and she has recently served as a first judge for one. In this post, she shares a number of useful recommendations for contest entrants. Since I'm slowly building up my own poetry practice (and I mean s-l-o-w-l-y), I'll keep her advice in mind for the long haul. Some of you may be able to apply it sooner!
(Side/related note: Last week, I saw one of my poems, "Pünktlichkeit," in print in the July-August 2010issue of Moment Magazine. Definitely one of the highlights of my writing life to date. The poem is not currently available online, but I'm pretty sure that when I do have a poetry book manuscript in order, this poem will be part of it. Hat tip to the fabulous Sage Cohen--it was through my work with Sage in her Poetry for the People II class last winter that the poem was born.)
Have a great weekend, everyone, and see you back here on Monday.
(Side/related note: Last week, I saw one of my poems, "Pünktlichkeit," in print in the July-August 2010issue of Moment Magazine. Definitely one of the highlights of my writing life to date. The poem is not currently available online, but I'm pretty sure that when I do have a poetry book manuscript in order, this poem will be part of it. Hat tip to the fabulous Sage Cohen--it was through my work with Sage in her Poetry for the People II class last winter that the poem was born.)
Have a great weekend, everyone, and see you back here on Monday.
Monday, July 12, 2010
Monday Morning Markets/Jobs/Opportunities
From White Pine Press: "The Marie Alexander Poetry Series has an open submission period during the month of July. An award of $500 and publication will be given for a chosen collection of prose poems by an American poet. Submit a manuscript of at least 48 pages, which can include some lineated pieces, along with a cover letter with complete contact information and an SASE for notification only. Postmark must be between July 1 and 31. Entries should also include a simultaneous electronic submission of the manuscript (MS Word or PDF format)." There is no entry fee.
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Interesting opportunity for Edinburgh-based writers: "We are looking for new, emerging writers to read their work as part of Story Shop at the Edinburgh International Book Festival this August. Story Shop is a free, un-ticketed event produced by the Edinburgh UNESCO City of Literature Trust and takes place in the Book Festival’s Bookshop. It is a showcase for new writing and new writers from Edinburgh. Each day features one author, giving them a ten minute slot to read either two 4-5 minute ‘flash fiction’ pieces or one 8-10 minute piece of fiction. The idea is to give a free taste of new writing to a new audience." NB: "Applications from newly published writers are particularly welcome (published meaning some form of peer reviewed publication – anthology, literary magazine, newspaper, novel or short story collection) and we are looking for fiction targeted at an adult audience." There is no application fee. Deadline is midday (presumably Edinburgh time) on Fri., July 16. Pays: "Each author featured will receive a small appearance fee and a one-day author pass to the Book Festival’s green room, the ‘yurt.’ Their event and author biography will feature on the City of Literature Trust website and Story Shop is promoted via the Book Festival programme, in the Bookshop tent and via the Book Festival entrance tent screens. Our press staff will also send out a press release to all relevant media with information about the writers who will be reading."
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In case you haven't seen it, our July Practicing Writer newsletter is now available as a reprint at freelancewriting.com. It went out to subscribers at the end of June, but it's not too late to take advantange of the many no-fee competitions and submission alerts for paying publications that are listed there. (Of course, if you subscribe on your own, you'll get each free newsletter delivered directly to you via e-mail.)
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Similarly, if you haven't yet downloaded your free copies of our guides to paying markets for essayists and for book reviewers, you can still do so. (But you have only until August 1.)
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Franklin and Marshall College (Pa.) is looking for a Campaign Writer, Harvard University (Mass.) seeks a Stewardship Writer, and Radford University (Va.) is looking for a Web Content Editor.
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Interesting opportunity for Edinburgh-based writers: "We are looking for new, emerging writers to read their work as part of Story Shop at the Edinburgh International Book Festival this August. Story Shop is a free, un-ticketed event produced by the Edinburgh UNESCO City of Literature Trust and takes place in the Book Festival’s Bookshop. It is a showcase for new writing and new writers from Edinburgh. Each day features one author, giving them a ten minute slot to read either two 4-5 minute ‘flash fiction’ pieces or one 8-10 minute piece of fiction. The idea is to give a free taste of new writing to a new audience." NB: "Applications from newly published writers are particularly welcome (published meaning some form of peer reviewed publication – anthology, literary magazine, newspaper, novel or short story collection) and we are looking for fiction targeted at an adult audience." There is no application fee. Deadline is midday (presumably Edinburgh time) on Fri., July 16. Pays: "Each author featured will receive a small appearance fee and a one-day author pass to the Book Festival’s green room, the ‘yurt.’ Their event and author biography will feature on the City of Literature Trust website and Story Shop is promoted via the Book Festival programme, in the Bookshop tent and via the Book Festival entrance tent screens. Our press staff will also send out a press release to all relevant media with information about the writers who will be reading."
==========
In case you haven't seen it, our July Practicing Writer newsletter is now available as a reprint at freelancewriting.com. It went out to subscribers at the end of June, but it's not too late to take advantange of the many no-fee competitions and submission alerts for paying publications that are listed there. (Of course, if you subscribe on your own, you'll get each free newsletter delivered directly to you via e-mail.)
==========
Similarly, if you haven't yet downloaded your free copies of our guides to paying markets for essayists and for book reviewers, you can still do so. (But you have only until August 1.)
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Franklin and Marshall College (Pa.) is looking for a Campaign Writer, Harvard University (Mass.) seeks a Stewardship Writer, and Radford University (Va.) is looking for a Web Content Editor.
Wednesday, July 07, 2010
The Wednesday Web Browser
Honestly, sometimes these lists of imminent book releases overwhelm me. I already have a huge list of titles tbr. Now I have to add more! See what the latest batch of "Most Anticipated Summer Reading 2010 and Beyond", courtesy of The Millions, adds for you!
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Win a free spot in Linda Formichelli's Write for Magazines e-course.
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In case you missed the announcement late last week, W.S. Merwin is the new U.S. Poet Laureate.
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A columnist for The New York Times's Opinionator blog describes how she puts her columns together--and where she finds her ideas.
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My latest batch of Jewish literary links collects snippets by or about Michael Chabon, Allison Amend, Gary Shteyngart, Shalom Auslander, and Allegra Goodman.
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Win a free spot in Linda Formichelli's Write for Magazines e-course.
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In case you missed the announcement late last week, W.S. Merwin is the new U.S. Poet Laureate.
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A columnist for The New York Times's Opinionator blog describes how she puts her columns together--and where she finds her ideas.
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My latest batch of Jewish literary links collects snippets by or about Michael Chabon, Allison Amend, Gary Shteyngart, Shalom Auslander, and Allegra Goodman.
Monday, July 05, 2010
Monday Morning Markets/Jobs/Opportunities
The Birdsong Micropress Winter 2010 Poetry & Prose Contest will award prizes (one in each category) of $50, publication in Birdsong #14, 10 complimentary copies of the zine, and a featured spot in the organization's Brooklyn reading series in mid-December. Submit by October 10, 2010. No entry fee. (via Poets & Writers)
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New policies for unsolicited submissions to Tin House Books and Tin House magazine have been announced. I've posted the text of the press release here.
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NoTreeBooks invites submissions of dialogue-driven short stories for three themed e-anthologies: (1) vampires, ghosts, zombies, and other "creature stories"; (2) contemporary cowboy romance stories; and (3) "sleeping with exes," stories "about couples who break up but still have a relationship." There are lots of details available at the website. Submissions are open until all anthologies are filled. Pays: $50-$100 to each anthology contributor-author, on publication, plus possible royalties.
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Graphic fiction competition for those living in the U.K./Republic of Ireland: The Observer/Jonathan Cape/Comica Graphic Short Story Prize will award a first prize of £1,000 and publication in The Observer Review. The runner-up will receive £250, with publication on www.guardian.co.uk and the Vintage website. There is no entry fee. Deadline: October 6, 2010.
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Pilot Books Micro-Residencies (Summer 2010): "Introducing an experimental micro-residency program for writers who want to work and write chez Pilot Books. Each receives a stipend, access to brainfulls of reading material, and hours of writing time punctuated by light literary conversation and the occasional sales transaction. Pilot Books will then publish the author-resident’s new poetry, prose, fiction, or comics in a limited edition chapbook series, 'FINANCIALS.' One-day ($80) and two-day ($160) residencies are available: July 2, July 4, July 10-11, July 18, July 24-25, August 7-8, August 21-22, August 28, September 4-5." For more details/application info, visit HTMLGIANT. No application fee. Apply fast!
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Saint Louis University (Mo.) seeks a Writer, Columbia Business School (N.Y.) is looking for a Writer, and the Stanford School of Education seeks a Writer/PR Director (see job #38382).
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New policies for unsolicited submissions to Tin House Books and Tin House magazine have been announced. I've posted the text of the press release here.
==========
NoTreeBooks invites submissions of dialogue-driven short stories for three themed e-anthologies: (1) vampires, ghosts, zombies, and other "creature stories"; (2) contemporary cowboy romance stories; and (3) "sleeping with exes," stories "about couples who break up but still have a relationship." There are lots of details available at the website. Submissions are open until all anthologies are filled. Pays: $50-$100 to each anthology contributor-author, on publication, plus possible royalties.
==========
Graphic fiction competition for those living in the U.K./Republic of Ireland: The Observer/Jonathan Cape/Comica Graphic Short Story Prize will award a first prize of £1,000 and publication in The Observer Review. The runner-up will receive £250, with publication on www.guardian.co.uk and the Vintage website. There is no entry fee. Deadline: October 6, 2010.
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Pilot Books Micro-Residencies (Summer 2010): "Introducing an experimental micro-residency program for writers who want to work and write chez Pilot Books. Each receives a stipend, access to brainfulls of reading material, and hours of writing time punctuated by light literary conversation and the occasional sales transaction. Pilot Books will then publish the author-resident’s new poetry, prose, fiction, or comics in a limited edition chapbook series, 'FINANCIALS.' One-day ($80) and two-day ($160) residencies are available: July 2, July 4, July 10-11, July 18, July 24-25, August 7-8, August 21-22, August 28, September 4-5." For more details/application info, visit HTMLGIANT. No application fee. Apply fast!
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Saint Louis University (Mo.) seeks a Writer, Columbia Business School (N.Y.) is looking for a Writer, and the Stanford School of Education seeks a Writer/PR Director (see job #38382).
Wednesday, June 30, 2010
The Wednesday Web Browser
For my fellow Francophiles: a lovely essay by Anthony Daniels on Flaubert's most famous conte, which is translated as A Simple Heart. "Of course, no summary can do justice to the subtlety, acuity, or beauty of Flaubert's story. The only real way of doing it justice would be to repeat it word for word. Let me, however, point to just a few instances, not by any means exhaustive."
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In The New York Times, Abigail Zuger wonders: "Should memoirs of illness be held to the same standards as other writing?"
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Just in case you didn't catch this essay about author Tim O'Brien's visit to a community college when I posted it (twice) on Twitter last week, I'm sharing it again.
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Tuesday is Poetry Day on Twitter. Follow poetry-oriented tweets at #poettues.
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Debbie Ridpath Ohi took the words right out of my mouth (or head). I was asked to promote the same writing contest here on Practicing Writing, and I declined the request for the very same reasons that made her wary. Be careful, my friends!
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In The New York Times, Abigail Zuger wonders: "Should memoirs of illness be held to the same standards as other writing?"
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Just in case you didn't catch this essay about author Tim O'Brien's visit to a community college when I posted it (twice) on Twitter last week, I'm sharing it again.
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Tuesday is Poetry Day on Twitter. Follow poetry-oriented tweets at #poettues.
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Debbie Ridpath Ohi took the words right out of my mouth (or head). I was asked to promote the same writing contest here on Practicing Writing, and I declined the request for the very same reasons that made her wary. Be careful, my friends!
Friday, June 18, 2010
Friday Find: The Poetry Foundation's iPhone App
Yesterday afternoon I left work early for the semiannual fun-filled dental checkup. The bad news (this time) is that I have the beginnings of a cavity that "we'll watch" for the next several months. Oh, and I should give some serious thought to adult braces for my lower teeth (I thought all of that was taken care of with six years of orthodontia way back when).
But the good news is that while I was in the waiting room I finally downloaded the new (and free) Poetry Foundation poetry app. I have to say that it is a vast improvement over the "Poem Flow" app I paid for awhile back. "Poem Flow" ended up giving me a single poem each day—usually the same poem I was already receiving for free from the Academy of American Poets. The Poetry Foundation app, on the other hand, gives you access to so many poems, neatly organized by topic (or to suit your mood). Thumbs up for the Poetry Foundation's app!
Wishing you all a great weekend. See you back here on Monday!
But the good news is that while I was in the waiting room I finally downloaded the new (and free) Poetry Foundation poetry app. I have to say that it is a vast improvement over the "Poem Flow" app I paid for awhile back. "Poem Flow" ended up giving me a single poem each day—usually the same poem I was already receiving for free from the Academy of American Poets. The Poetry Foundation app, on the other hand, gives you access to so many poems, neatly organized by topic (or to suit your mood). Thumbs up for the Poetry Foundation's app!
Wishing you all a great weekend. See you back here on Monday!
Monday, June 14, 2010
Monday Morning Markets/Jobs/Opportunities
Real Simple has announced its third annual Life Lessons Essay Contest. Entrants (who must be legal residents of the U.S. age 19 or older) should complete the sentence "I never thought I would...." Prize includes round-trip tickets for two to New York City, hotel accommodations for two nights, tickets to a Broadway play, lunch with Real Simple editors, $3,000, and publication in the magazine." Deadline: September 24, 2010. No entry fee.
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Oregon Humanities is "seeking submissions for the fall 2010 issue on the theme 'Ha!' which will explore humor, happiness, and joy, especially as they pertain to American history, culture, values, and identity. We are especially interested in submissions that consider what it means to pursue happiness in America and how this pursuit shapes our culture and identities. We welcome all forms of nonfiction writing, including scholarly essays, personal essays, and journalistic articles." Proposals/drafts should be submitted by July 12, 2010. For pay rates and additional guidelines, visit the site. (NB: "At this time, we almost exclusively publish work by Oregon artists and writers.")
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Bowling Green State University (Ohio) is looking for an Assistant Professor in Poetry Writing and Literature. "The successful candidate will teach graduate and undergraduate poetry workshops and literature courses, work with students on BFA and MFA theses, and advise BFA and MFA majors. He/she will be expected to engage in creative/scholarly writing and publishing, to serve on program and department committees, to serve as program director on a rotating basis with the other program faculty, and to participate actively in the life and governance of the program including its efforts to recruit, advise, and retain students. Qualifications: PhD in English or MFA in Creative Writing by start date of employment; Specialization in poetry writing; Strong record of publication of poetry, including at least one book of poetry; Strong commitment to excellence in both undergraduate and graduate teaching, including the teaching of literature. Desirable attributes: secondary specialization in creative nonfiction; experience editing a national literary journal; and interest in form/theory of poetry."
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National Public Radio (Washington, D.C.) is looking for a Books Producer to build up Books coverage on NPR.org.
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Harvard University's Nieman Journalism Lab (Mass.) is looking for an Assistant Editor: "The Nieman Journalism Lab (www.niemanlab.org) is dedicated to identifying and encouraging changes that can improve the production of quality journalism in America. We do so by identifying best practices, examining new business models, tracking innovation in journalistic craft, and trying to be a forward-looking voice in figuring out the future of journalism. The assistant editor of the Lab will work with existing staff to achieve this goal. Duties will include: original reporting and blogging on changes in the news industry, in both the mainstream media organizations and the new generation of startups and Internet companies; active use of social media platforms, especially Twitter; producing video and audio content; interacting with our readers; assisting in planning the future of the Lab; and working with partners around Harvard and around the journalism world. Think of us as a cross between a think tank and a newsroom, covering the beat of the future of journalism. The job may also entail other related duties within the Nieman Foundation for Journalism."
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From Seattle: "Writers in the Schools (WITS), a program of Seattle Arts & Lectures, is looking for creative writers who are passionate about teaching the power and pleasure of writing to young people and who are excited to collaborate with public school teachers. Employment is part-time. Residency contracts vary, but typically extend for nine months from October to June. A yearlong commitment is typically required." Application deadline: August 2, 2010.
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Normally, I limit residency announcements to programs that don't charge application fees, but I make an exception for the Kimmel Harding Nelson Center for the Arts, in Nebraska City, Neb., where I spent two wonderful weeks way back in 2003. (That's where I began working on "Matrilineal Descent," a story that ultimately appeared in TriQuarterly and will reappear in my forthcoming collection, Quiet Americans.) The KHN Center offers 2- to 8-week residencies year-round for writers, visual artists, and music composers. Housing, studio space, and $100/week stipend are provided. There are two deadlines each year: March 1 for the following July through mid-December, and September 1 for the following January through mid-June. There's a $25 application fee (sorry!).
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Oregon Humanities is "seeking submissions for the fall 2010 issue on the theme 'Ha!' which will explore humor, happiness, and joy, especially as they pertain to American history, culture, values, and identity. We are especially interested in submissions that consider what it means to pursue happiness in America and how this pursuit shapes our culture and identities. We welcome all forms of nonfiction writing, including scholarly essays, personal essays, and journalistic articles." Proposals/drafts should be submitted by July 12, 2010. For pay rates and additional guidelines, visit the site. (NB: "At this time, we almost exclusively publish work by Oregon artists and writers.")
==========
Bowling Green State University (Ohio) is looking for an Assistant Professor in Poetry Writing and Literature. "The successful candidate will teach graduate and undergraduate poetry workshops and literature courses, work with students on BFA and MFA theses, and advise BFA and MFA majors. He/she will be expected to engage in creative/scholarly writing and publishing, to serve on program and department committees, to serve as program director on a rotating basis with the other program faculty, and to participate actively in the life and governance of the program including its efforts to recruit, advise, and retain students. Qualifications: PhD in English or MFA in Creative Writing by start date of employment; Specialization in poetry writing; Strong record of publication of poetry, including at least one book of poetry; Strong commitment to excellence in both undergraduate and graduate teaching, including the teaching of literature. Desirable attributes: secondary specialization in creative nonfiction; experience editing a national literary journal; and interest in form/theory of poetry."
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National Public Radio (Washington, D.C.) is looking for a Books Producer to build up Books coverage on NPR.org.
==========
Harvard University's Nieman Journalism Lab (Mass.) is looking for an Assistant Editor: "The Nieman Journalism Lab (www.niemanlab.org) is dedicated to identifying and encouraging changes that can improve the production of quality journalism in America. We do so by identifying best practices, examining new business models, tracking innovation in journalistic craft, and trying to be a forward-looking voice in figuring out the future of journalism. The assistant editor of the Lab will work with existing staff to achieve this goal. Duties will include: original reporting and blogging on changes in the news industry, in both the mainstream media organizations and the new generation of startups and Internet companies; active use of social media platforms, especially Twitter; producing video and audio content; interacting with our readers; assisting in planning the future of the Lab; and working with partners around Harvard and around the journalism world. Think of us as a cross between a think tank and a newsroom, covering the beat of the future of journalism. The job may also entail other related duties within the Nieman Foundation for Journalism."
==========
From Seattle: "Writers in the Schools (WITS), a program of Seattle Arts & Lectures, is looking for creative writers who are passionate about teaching the power and pleasure of writing to young people and who are excited to collaborate with public school teachers. Employment is part-time. Residency contracts vary, but typically extend for nine months from October to June. A yearlong commitment is typically required." Application deadline: August 2, 2010.
==========
Normally, I limit residency announcements to programs that don't charge application fees, but I make an exception for the Kimmel Harding Nelson Center for the Arts, in Nebraska City, Neb., where I spent two wonderful weeks way back in 2003. (That's where I began working on "Matrilineal Descent," a story that ultimately appeared in TriQuarterly and will reappear in my forthcoming collection, Quiet Americans.) The KHN Center offers 2- to 8-week residencies year-round for writers, visual artists, and music composers. Housing, studio space, and $100/week stipend are provided. There are two deadlines each year: March 1 for the following July through mid-December, and September 1 for the following January through mid-June. There's a $25 application fee (sorry!).
Monday, June 07, 2010
Monday Morning Markets/Jobs/Opportunities
"Calling poets! Comment Magazine's second-annual "Making the Most of College" poetry contest runs until July 1st, 2010. The question: How does a 21st-century education lead you to respond to a 19th-century visionary? Write a sonnet which interacts in some way with Percy Bysshe Shelley's "Ozymandias" —a refutation? an update? a round of applause? Imagine the poem afresh for university students 2010-11. Email your submissions to comment(at)cardus(dot)ca by July 1st. First-place winner takes $100 CDN and the page 1 poem in our Fall 2010 print issue. Second- and third-place runners-up also get published later in the Fall Issue. Enter today!" No entry fee indicated. (via ImageUpdate)
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Want to explore freelance editing? You might enjoy this free teleclass.
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Meet new agent Chelsea Gilmore, who is looking for "women’s fiction, literary fiction, young adult, mysteries/thrillers, and pop culture."
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Bournemouth University (U.K.) seeks a Practitioner in Residence (Creative Writing & Journalism): "You are an accomplished creative writer with a good academic record and significant professional experience; ideally you will also have some experience of writing features and of the online environment. This post is available on a fixed term part time basis of either one day per week for a period of six months or two days per week for a period of three months."
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Two new job postings from the Poetry Foundation (Chicago): Media Director and Director of the Harriet Monroe Poetry Institute.
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Ramapo College (N.J.) is looking for a Development Writer/Publicist, George Mason University (Va.) seeks a part-time Writer, and Rocky Mountain College of Art & Design is looking for a Content Writer.
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Want to explore freelance editing? You might enjoy this free teleclass.
==========
Meet new agent Chelsea Gilmore, who is looking for "women’s fiction, literary fiction, young adult, mysteries/thrillers, and pop culture."
==========
Bournemouth University (U.K.) seeks a Practitioner in Residence (Creative Writing & Journalism): "You are an accomplished creative writer with a good academic record and significant professional experience; ideally you will also have some experience of writing features and of the online environment. This post is available on a fixed term part time basis of either one day per week for a period of six months or two days per week for a period of three months."
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Two new job postings from the Poetry Foundation (Chicago): Media Director and Director of the Harriet Monroe Poetry Institute.
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Ramapo College (N.J.) is looking for a Development Writer/Publicist, George Mason University (Va.) seeks a part-time Writer, and Rocky Mountain College of Art & Design is looking for a Content Writer.
Tuesday, May 25, 2010
Quotation of the Week: Diane Lockward
Asked to offer suggestions/advice for beginning poets, Diane Lockward recently responded:
A side note: It's still somewhat difficult for me to address Diane by her first name, since for many years she taught English at my high school (my sister was one of her students!). But it has been lovely to refind her in the world of poets and poetry. You'll find her blog, Blogalicious, linked to the right.
"Have patience and persistence. Respect your tears; they are often where the poems reside. Learn the craft. Be willing to serve an apprenticeship. Read the masters to learn where you came from. Read contemporary poetry to learn what’s being done today. Buy books by other poets; that’s one way we support each other. Mark up the books and learn from them. When you ask for a critique, be sure you are not just looking for compliments; otherwise, you won’t grow as a poet."Source: Diane Lockward, interviewed by Nicelle Davis for The Bees' Knees Blog.
A side note: It's still somewhat difficult for me to address Diane by her first name, since for many years she taught English at my high school (my sister was one of her students!). But it has been lovely to refind her in the world of poets and poetry. You'll find her blog, Blogalicious, linked to the right.
Monday, May 24, 2010
Monday Morning Markets/Jobs/Opportunities
This Monday's post will be relatively brief, since I'm busy polishing the June Practicing Writer newsletter, which will go out on Friday, before Memorial Day weekend here in the U.S. If you're not yet a subscriber, join us! It's free, and we do not share/sell/distribute your e-mail address.
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Poetry Jumps Off the Shelf opportunity for Wisconsin poets: "Woodrow Hall Editions is accepting proposals from Wisconsin poets for a project that presents poetry to the public in an unexpected or unconventional manner. An award of $500.00 will be given to help him or her implement the project. In addition, an award of $250.00 will be given to a runner-up for the same purpose. A panel of judges will make the selections. See past Poetry Jumps Off the Shelf projects for examples of the kinds of ideas the panel will be looking for. The winners must initiate their projects in summer or fall 2010. No entry fee. Multiple entries from same poet welcome." Deadline: June 1, 2010.
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Next submission deadline for Nashville Review is June 1. Check the site for guidelines and pay rates.
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From Creative Nonfiction: "For an upcoming issue, we are currently seeking experimental nonfiction for our 'Pushing the Boundaries' section ('experimental,' 'boundaries,' yes, these can be loaded terms). We want writing that blows our minds with its ingenuity, essays that not only push the boundaries of the form, but tear down the borders. Be ambitious and send us work like we've never seen before." Send by June 4. "We typically pay $10 per printed page."
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The Guide to Literary Agents blog introduces us to Sarah LaPolla, a new who works at Curtis Brown and is seeking "literary fiction, narrative nonfiction, urban fantasy, paranormal romance, science fiction, literary horror, and young adult fiction. She loves complex characters, coming-of-age stories, and strong narrators."
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Stanford University's Graduate School of Business is looking for Bay Area residents to work as writing coaches.
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Stanford University (Calif.) is looking for a Copy Editor (appears to be a half-time position), Northern Kentucky University seeks a Director of Alumni Publications & Special Projects, and the New Hampshire Writers' Project is looking for an Executive Director.
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Poetry Jumps Off the Shelf opportunity for Wisconsin poets: "Woodrow Hall Editions is accepting proposals from Wisconsin poets for a project that presents poetry to the public in an unexpected or unconventional manner. An award of $500.00 will be given to help him or her implement the project. In addition, an award of $250.00 will be given to a runner-up for the same purpose. A panel of judges will make the selections. See past Poetry Jumps Off the Shelf projects for examples of the kinds of ideas the panel will be looking for. The winners must initiate their projects in summer or fall 2010. No entry fee. Multiple entries from same poet welcome." Deadline: June 1, 2010.
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Next submission deadline for Nashville Review is June 1. Check the site for guidelines and pay rates.
==========
From Creative Nonfiction: "For an upcoming issue, we are currently seeking experimental nonfiction for our 'Pushing the Boundaries' section ('experimental,' 'boundaries,' yes, these can be loaded terms). We want writing that blows our minds with its ingenuity, essays that not only push the boundaries of the form, but tear down the borders. Be ambitious and send us work like we've never seen before." Send by June 4. "We typically pay $10 per printed page."
==========
The Guide to Literary Agents blog introduces us to Sarah LaPolla, a new who works at Curtis Brown and is seeking "literary fiction, narrative nonfiction, urban fantasy, paranormal romance, science fiction, literary horror, and young adult fiction. She loves complex characters, coming-of-age stories, and strong narrators."
==========
Stanford University's Graduate School of Business is looking for Bay Area residents to work as writing coaches.
==========
Stanford University (Calif.) is looking for a Copy Editor (appears to be a half-time position), Northern Kentucky University seeks a Director of Alumni Publications & Special Projects, and the New Hampshire Writers' Project is looking for an Executive Director.
Wednesday, May 19, 2010
The Wednesday Web Browser
HTMLGIANT brings us an interview with poet/translator/publisher Lawrence Schimel, whose Fairy Tales for Writers we mentioned here way back in 2007.
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Next, the Huffington Post presents the provocatively-titled "Iowa Writers' Workshop Graduate Spills It All: Interview with John McNally, Author of 'After the Workshop.'" (via the Poetry Foundation)
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Then, The Days of Yore website, which "interviews artists about the years before they had money, fame, or road maps to success, and inspires you to find your own," turns its attention to author Gary Shteyngart. (via the Jewish Book Council).
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In other-than-interview news, big congrats to Jane Roper, who has just signed a book deal with St. Martin's Press for a memoir loosely based on her Babble.com blog about mothering young twins. This will be Jane's second book--her first, a novel titled Eden Lake, will be published by Last Light Studio next spring (shortly after the release of Quiet Americans, by yours truly!). I'm so happy for Jane, and I know that both of her books will be well worth your attention.
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Next, the Huffington Post presents the provocatively-titled "Iowa Writers' Workshop Graduate Spills It All: Interview with John McNally, Author of 'After the Workshop.'" (via the Poetry Foundation)
==========
Then, The Days of Yore website, which "interviews artists about the years before they had money, fame, or road maps to success, and inspires you to find your own," turns its attention to author Gary Shteyngart. (via the Jewish Book Council).
==========
In other-than-interview news, big congrats to Jane Roper, who has just signed a book deal with St. Martin's Press for a memoir loosely based on her Babble.com blog about mothering young twins. This will be Jane's second book--her first, a novel titled Eden Lake, will be published by Last Light Studio next spring (shortly after the release of Quiet Americans, by yours truly!). I'm so happy for Jane, and I know that both of her books will be well worth your attention.
Wednesday, May 12, 2010
The Wednesday Web Browser
On the Barrelhouse blog, Dan Brady argues that the Poetry Foundation's move away from blogging (see last week's Web Browser) is a bad move.
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When agent Julie Barer talks, I listen. So should you.
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Don't forget about the short story collection giveaway project!
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When I catch my breath, I'm looking forward to reading Nathan Englander's short story in the current New Yorker. Englander's Q&A with Cressida Leyshon piqued my interest, too.
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Note the new category label for "blogging." So overdue. Someday, maybe (after I've caught my breath and read the aforementioned story), I'll go back through archived posts and relabel them. (Don't hold your breath waiting for that to happen, though!)
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When agent Julie Barer talks, I listen. So should you.
==========
Don't forget about the short story collection giveaway project!
==========
When I catch my breath, I'm looking forward to reading Nathan Englander's short story in the current New Yorker. Englander's Q&A with Cressida Leyshon piqued my interest, too.
==========
Note the new category label for "blogging." So overdue. Someday, maybe (after I've caught my breath and read the aforementioned story), I'll go back through archived posts and relabel them. (Don't hold your breath waiting for that to happen, though!)
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